The Non-Aligned socialist Yugoslavia was never part of the Eastern Bloc, and it was open to western influences. The SFR Yugoslav Pop and Rock scene was socially accepted, well developed and covered in the media. The former Yugoslav punk scene emerged in the late 1970s, influenced by the first wave of punk rock bands from the United Kingdom and United States, such as Sex Pistols, The Clash, The Damned, Ramones, Generation X, The Ruts, Buzzcocks and The Jam, as well as the proto-punk acts such as The Stooges and the New York Dolls. The DIY punk fanzine scene also started to develop in Yugoslavia.
The Yugoslav punk bands were the first punk bands ever formed in a socialist state. Some of the first ones were formed in Slovenia and Croatia: Paraf from Rijeka (formed in 1976) and Pankrti from Ljubljana (formed in 1977). The Slovenian and Croatian scene of that period is featured in the Novi Punk Val compilation album, which included Pankrti, Paraf, Buldogi, Termiti, Berlinski Zid, Grupa 92 and Prljavo Kazalište. Late-1970s Belgrade punk bands included: Defektno efektni, Urbana gerila and Radnička kontrola (feat. Cane who later came into prominence as frontman of Partibrejkers and Srđan Todorović, later an eminent movie actor). This generation of bands was included on the Artistička Radna Akcija compilation. Električni orgazam was also a punk band during its early period. From Novi Sad, Vojvodina, used to be the cult band Pekinška patka, which was led by the charismatic Profesor Čonta. Some consider their first album, Plitka poezija, one of the best punk records from former Yugoslavia. Prominent Yugoslav punkabilly artist was Tonny Montano from Belgrade (formerly a singer of Radost Evrope).
The first punk band in Skopje, Socialist Republic of Macedonia was Fol Jazik, formed in 1978. Other notable acts from Skopje included Badmintons and Saraceni, both led by Vladimir Petreski-Karter. The bass player of Saraceni, Goran Trajkovski, previously played in the punk band Afektiven naboj from Struga. Later he was the frontman of Padot na Vizantija and rose to international prominence as the frontman of Anastasia and Mizar. In Sarajevo, Socialist Republic of Bosnia and Herzegovina, the following artists emerged: Ozbiljno pitanje (which later evolved into Crvena Jabuka), Ševa (which later evolved into Bombaj Štampa led by Branko Đurić), and the cult band Zabranjeno Pušenje. These bands later formed the punk-inspired New Primitives movement.
In the late 1970s, some punk bands were affiliated with the Yugoslav New Wave scene, and were labeled as both punk rock and new wave. During a certain period, the term New Wave music was interchangeable with punk. The most important record of the Yugoslav New Wave era is Paket Aranžman.
The end of the 1970s and the beginning of the 1980s saw the emergence of various subgenres of punk rock, such as streetpunk and Oi! later followed by: hardcore punk, crust punk all the way to crossover thrash and grindcore. Notable acts during the 1980s included: the hardcore punk bands Niet (from Slovenia), Patareni (from Croatia), KUD Idijoti (from Pula), KBO! (from Kragujevac), Trula Koalicija, Apatridi, NUP (Napred u prošlost), Giuseppe Carabino (from Subotica), Tožibabe, S.O.R. (Sistem organizovane represije); and the Oi!/streetpunk bands Dva minuta mržnje, Vrisak generacije and Ritam Nereda. A notable mainstream pop punk band was Psihomodo Pop from Croatia (heavily influenced by the Ramones).
Many eminent foreign punk bands played concerts in the former Socialist Yugoslavia including: The Ruts, Siouxsie & the Banshees, UK Subs, Angelic Upstarts, The Exploited and The Anti-Nowhere League. In 1983 The Anti-Nowhere League released their album Live in Yugoslavia, while Angelic Upstarts released a live album with the same title in 1985.
Nazi punk affair
A great scandal emerged all over Yugoslavia when the authorities arrested a Nazi punk and Nazi skinhead-oriented group called The Fourth Reich in Ljubljana, Slovenia in 1981. The group was put on trial and imprisoned. The one-party system used this incident to impose harsh indiscriminate opression on all punks and skinheads who began to be perceived as potential enemies of the state, despite the fact that the overwhelming majority of them was actually anti-fascist and anti-totalitarian in general. Despite this incident, the Yugoslav punk scene continued to exist successfully (although with less mainstream media coverage) until the desintegration of the Socialist Yugoslav Federation.
Yugoslav Wars
The punk scene of the Socialist Federal Republic of Yugoslavia ceased to exist with the disintegration of the Socialist Yugoslav Federation. Many of its former adherents participated in anti-war and anti-nationalist activities, and were often attacked by the nationalists in their countries. A 1993 compilation of anti-war punk songs, Preko zidova nacionalizma i rata (Over the walls of nationalism and war) featured bands from the ex-Yugoslav countries. However, some individuals previously involved in the Yugoslav punk scene embraced national chauvinism, and some even fought in the Yugoslav wars. One example is Satan Panonski, a charismatic and controversial punk singer and poet from Vinkovci, Croatia, who had a cult status in the former Yugoslav punk scene. A former convict charged with murder who spent several years in mental institutions, he was an outspoken opponent of any national chauvinism and was openly a homosexual. However, after the Croatian War of Independence began, he joined the Croatian forces and was killed under unknown circumstances.
The local scenes in the independent countries that emerged after the breakup of Yugoslavia continued to exist, some of them heavily suffering during the war. The underground music scene continued even in the shelters during the Sarajevo siege and a compilation album Rock under siege (Radio Zid Sarajevo, Stichting Popmuziek Nederland) including the punk band Protest was released in 1995.
A new federal state comprising Serbia and Montenegro named Federal Republic of Yugoslavia formed after the disintegration of Socialist Federal Republic of Yugoslavia during the Yugoslav wars. It existed from 1992 until 2003. Notable punk bands in the Federal Republic of Yugoslavia included: Atheist rap, Ritam Nereda and Zbogom Brus Li from Novi Sad; Direktori and Šaht from Belgrade and Goblini from Šabac. Some of them were formed during the previous Yugoslav federation, and some still exist in the 2000s. Many bands in this period openly opposed the regime of Slobodan Milošević, but some espoused radical Serbian nationalism.
info : wikipedia
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